





The Orchard of Perception
The Orchard of Perception is the compelling sequel to "The Color of Consciousness" that expands the dimensional painting universe into even more complex territory.
Glenn Caldris is called to investigate an abandoned monastery where the new owner, Lucian, has been experiencing disturbing dreams of monks walking through walls. What Glenn discovers is far more intricate than Eleanor Morrison's single dimensional portal—the monastery exists in seven dimensions simultaneously, the result of decades-long experiments by monks who learned Eleanor's techniques and pushed them to dangerous extremes.
Working with Lucian, his partner Lisa (who develops multi-dimensional sight), and Sandra (the daughter of Brother Thomas, who carries memories from multiple dimensional versions of her father), Glenn must perform "dimensional surgery"—painting not just walls but space itself to stabilize a consciousness-aware building that's threatening to collapse across all realities.
The story escalates Glenn's role from painter to "dimensional architect," tasked with harmonizing rather than simply opening portals. The monastery becomes a conscious bridge between worlds—a school where people can safely learn to perceive multiple realities simultaneously.
Perfect for readers who enjoyed the first story and want:
More complex dimensional concepts and world-building
Deeper exploration of consciousness and perception
Multiple interconnected characters with dimensional abilities
Higher stakes involving reality-threatening consequences
A bridge to future stories in the series
The story ends with Glenn receiving a list of other locations worldwide where dimensional intervention is needed, setting up an expanding universe of consciousness exploration. His next destination: a memory care facility, suggesting intriguing connections between dimensional perception and conditions like dementia.
A sophisticated expansion that deepens the mythology while maintaining the blend of science, mysticism, and human transformation that made the first story compelling.
The Orchard of Perception is the compelling sequel to "The Color of Consciousness" that expands the dimensional painting universe into even more complex territory.
Glenn Caldris is called to investigate an abandoned monastery where the new owner, Lucian, has been experiencing disturbing dreams of monks walking through walls. What Glenn discovers is far more intricate than Eleanor Morrison's single dimensional portal—the monastery exists in seven dimensions simultaneously, the result of decades-long experiments by monks who learned Eleanor's techniques and pushed them to dangerous extremes.
Working with Lucian, his partner Lisa (who develops multi-dimensional sight), and Sandra (the daughter of Brother Thomas, who carries memories from multiple dimensional versions of her father), Glenn must perform "dimensional surgery"—painting not just walls but space itself to stabilize a consciousness-aware building that's threatening to collapse across all realities.
The story escalates Glenn's role from painter to "dimensional architect," tasked with harmonizing rather than simply opening portals. The monastery becomes a conscious bridge between worlds—a school where people can safely learn to perceive multiple realities simultaneously.
Perfect for readers who enjoyed the first story and want:
More complex dimensional concepts and world-building
Deeper exploration of consciousness and perception
Multiple interconnected characters with dimensional abilities
Higher stakes involving reality-threatening consequences
A bridge to future stories in the series
The story ends with Glenn receiving a list of other locations worldwide where dimensional intervention is needed, setting up an expanding universe of consciousness exploration. His next destination: a memory care facility, suggesting intriguing connections between dimensional perception and conditions like dementia.
A sophisticated expansion that deepens the mythology while maintaining the blend of science, mysticism, and human transformation that made the first story compelling.